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Working with Choreographer Candice Salyers over the weekend of September 20th, we began to explore how movement can support the construction and development of the installation “Motion-Line-Form”. Choreographer Dahlia Nayar joined us on Saturday for an hour and will be continuing to work with us towards the performance of this piece on May 9th, 2015 at the Brattleboro Museum, Brattleboro.

I arrived for the rehearsals with Photoshop renderings of possible forms and models. Based on our work together over the weekend the forms have shifted subtly…I am “lightening” the density of the weave on the left so that a sequence emerges moving from less dense to denser structures left to right. The dance will also move from left to right. We have been discussing ways to encourage the audience to change their point of view as the performance progresses. The work has a completely different character viewed from the “front’ as compared to a side or angled view that layers the forms one upon another. We want to emphasize this shift.

We spent a good a mount of time discussing themes in the work and potential points of emphasis across disciplines. It was a really productive dialogue between Candice and Myself. Her questions helped me to articulate the goals of expressing the movement that exists within all forms….even static forms…at an atomic level. We spent time talking about the movement I’ve experienced as a builder and how “stable “buildings are the result of an intensive accretion of many many movements. The choreography of building is influenced by the sequence in which materials must be installed but also by the weight and dimensions of materials and the strategies for shifting materials into place.

Images below are of the form and some shots of the Choreographers testing out ideas for movement.

I have been making full scale studies for an upcoming performance and exhibit at the Brattleboro Museum scheduled for  May 31st, 2014- on view through the summer. (note : the project has been rescheduled for May 2015)

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I am experimenting with how dancers can participate in the construction of one of my woven ribbon installations by helping to build a work as part of a performance. I am inspired in part by the tradition of the maypole dance in which textiles are woven around a pole as the risidual creation of a movement performance. Due to limitations in time and budget for this round I have been working on developing structures that two dancers can create. The vertical “struts” are fixed prior to the performance and facilitate this strategy.

In the early fall, while the weather was warm, I worked for a few sessions with choreographers and dancers Polly Motley and Hanna Satterlee  at a proxy site in East Montpelier to see how we could integrate dance into the construction of the work. I had developed woven structures for this piece through models and full scale studies. Taking into account the needs and input from the dancers, we changed the woven form they build  so as to allow for a broader scope of movement and movement that the dancers enjoy.

Originally I entended dancers to also construct this form around a tree.  However, I discovered that I could build the work as one person working on my own. Perhaps in the future I will have the chance to explore with dancers how to collaborate in creating this work or one based on it.

The research and early development of  this new body of work has been supported by grants from the Vermont Arts Council and the Vermont Community Foundation. My heartfelt appreciation!

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